The French is the defence of someone in no hurry. Against 1.e4, Black plays 1...e6 and, after 2.d4, challenges the centre with 2...d5. The aim is not to equalise by move ten: it is to reach a closed position where Black knows exactly which pawn to attack.
1.e4 e6 2.d4 d5
Botvinnik, Petrosian and Korchnoi played it for decades at the top, and it is still one of the most respected defences against 1.e4. Its great advantage at club level is that it makes sense: there are few structures, and the plans repeat from one game to the next.
The idea in one sentence
Black concedes space in order to attack the base of White's pawn chain later. When White pushes e5, the d4-e5 chain gives White space on the kingside; Black answers by attacking d4 with ...c5 and the head of the chain with ...f6.
What each side wants
Black:
- Strike at the chain with
...c5, against d4, and with ...f6, against e5. - Pressure
d4 with ...Nc6, ...Qb6 and sometimes a knight on f5. - Solve the
c8 bishop: exchange it with ...Bd7-b5 or with ...b6 and ...Ba6, or bring it out via d7 and e8 to h5.
White:
- Use the kingside space to attack:
f4-f5, Qg4, pressure on h7. - Hold
d4 long enough; if it falls, make sure it is in exchange for activity. - Punish the bad bishop: in a closed position, that piece can stay out of play for the whole game.
The main lines
Everything depends on White's third move.
Tarrasch: 3.Nd2
The knight goes to d2 rather than c3 to avoid the pin ...Bb4. Black has two paths of different character: 3...c5, which opens the game and can leave one side with an isolated pawn, and 3...Nf6, which after 4.e5 Nfd7 leads to the typical chain and a closed position.
Classical: 3.Nc3 Nf6
Black develops and puts pressure on e4. White usually chooses between 4.Bg5, keeping the tension, and 4.e5, gaining space and driving the knight away. This is the line where handling the centre is learned most clearly.
Advance: 3.e5
White closes the centre straight away. Black's plan is almost automatic —...c5, ...Nc6, ...Qb6, all aimed at d4— and so is White's: support the pawn with c3 and Nf3 and use the space. It is the most common variation at club level, and a very good one for starting to understand the French.
Winawer: 3.Nc3 Bb4
The sharpest. Black pins the knight and, after 4.e5 c5 5.a3 Bxc3+ 6.bxc3, White has doubled pawns but also the bishop pair and attacking chances on the kingside. It is a battle of imbalances: structure against initiative.
The rest: the Exchange and company
3.exd5 exd5 gives a symmetrical, quiet structure, and there are also rarer systems worth having prepared: in a club tournament they show up more often than the main theory.
Typical mistakes
- Waiting too long to break. If Black does not play
...c5 in time, White settles in and attacks with all the space in their favour. - Forgetting the
c8 bishop. It does not need solving on move five, but it does need a plan. - As White, attacking without looking after
d4. The kingside attack collapses if the centre collapses first. - Opening the game before you are developed. The French rewards patience on both sides.
Who is the French for?
For players who prefer closed positions and clear plans to tactics from the opening. It needs far less theory than the Sicilian and produces games with real strategic content. In exchange, you have to accept that for a while Black has less space, and know how to wait for the right moment to break.
If you are torn between the French and something sharper, the Sicilian Najdorf is the other end of the answers to 1.e4. And if you have not chosen your repertoire yet, start with how to choose an opening.
How to study it
First the structure: the d4-e5 chain against d5-e6, and the two breaks. Then one variation at a time, starting with the one you will meet most; at club level, the Advance and the Tarrasch.
The course French Defense Deep Dive, with GM Andrés Rodríguez Vila and IM Mario Villanueva, covers in six lessons the Tarrasch with ...c5 and with ...Nf6, the Classical, the alternative lines, the Advance and the Winawer, with the plans, structures and tactical resources of each.